The “ideology of form” and Go Down, Moses

The Vintage edition of Go Down, Moses. Image found found here.
Hosam Aboul-Ela’s book, Other South: Faulkner, Coloniality, and the Mariátegui Tradition, begins at the same place Glissant’s Faulkner, Mississippi does: that it might be useful to read Faulkner not as a Modernist or American writer, but as one whose region has much in common [...]

“They endured”: Further comments on Glissant’s Faulkner, Mississippi

Caroline Barr (1840-1940), the Faulkner family maid, to whom Go Down, Moses is dedicated. Image found here.
“They endured,” as readers of “Appendix: Compson” know, is the sum total of how Faulkner describes Dilsey, the Compson’s black maid in The Sound and the Fury. Glissant finds that a crucial textual touchstone in his effort [...]

On the “Primary Sources” page . . .

. . . the curious and interested can find the beginnings of a list of novels, short fiction and historical narratives, predominantly from the United States, in which miscegenation (racial or cultural) is a central theme or plot or narrational device. I encourage visitors here to offer suggested texts (which will eventually include films; [...]